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[Guy Mintus] is amongst the most exciting jazz talents on the scene. I highly recommend him to any presenter whether at a club, a PAC or with an orchestra. ”
– Mervon Mehta, Executive and Artistic Director Koerner Hall The Royal Conservatory of Music

Guy Mintus is an Israeli-born piano performer, composer, vocalist, bandleader and educator. He possesses the finesse of a trained concert pianist, the energy of a rockstar, and the exploring spirit of a jazz musician. Be it in solo, trio, or orchestral formats, Guy is able to create a musical playground filled with joy, spontaneity, groove, and humor. Officially endorsed by Yamaha Pianos, Guy is the winner of the prestigious Leonard Bernstein Award, the Herb Alpert Young Jazz Composer Award and of the audience's prize at the Montreux Jazz Festival's piano competition.


Guy have had the chance to perform his original music at venues such as Carnegie Hall, the Kennedy Center, Jazz at Lincoln Center and the Israeli Opera to name a few. As composer-soloist, he has been commissioned by orchestras such as Jerusalem Symphony Orchestra, American Composers Orchestra, Israel Chamber Orchestra and Raanana Symphonette while premiering his own piano concertos and presenting original improvisation-injected interpretations to classics such as Rhapsody in Blue and Mozart’s Piano Concerto no. 9.


Since 2016, Guy Has been leading his own trio featuring Oren Hardy on Bass and Yonatan Rosen on Drums. The trio's latest record, A Gershwin Playground, was released on the prestigious label ENJA Records (Chet Baker, Charles Mingus, McCoy Tyner among others). The album provides a fresh, modern and very personal take on the music of Jewish-American musical giant while receiving international support from both critics and audiences alike. The trio's debut record, “A Home in Between” has been selected as DownBeat Magazine’s Editor’s Pick while its sophomore release, “Connecting the Dots”, has been celebrated in concert venues and jazz festivals throughout the US, Canada, France, Switzerland, Germany, Israel, Turkey and Kazakhstan including a New York CD release concert that has been recommended by the New York Times.


Guy is also a passionate educator having taught workshops in numerous situations, from the Royal Conservatory of Madrid to mid-western US universities to Refugee Camps around Europe. Most recently he released a semi-viral musical short film called “Can You Tell the Difference?”, shot at various Jewish-Arab primary schools in Israel that support the idea of coexistence.

The Guy Mintus Trio’s A Gershwin Playground, released by Enja Records.

Guy Mintus: piano, vocals / Omri Hadani: bass / Yonatan Rosen: drums


Guy Mintus about his brand new trio production A GERSHWIN PLAYGROUND:


“After two albums of mainly original music, it felt right to take on the challenge of making a personal artistic statement through a canonic body of work. George Gershwin’s catalogue was a very natural choice as I have known some of the songs on this album since I was 10 years old. I am continuously astounded by how relevant, multi-layered and full of possibilities Gershwin’s music remains. For me, the definitive guideline in creating the interpretations on this album has been the lyrics.

Bringing these songs into my trio’s singular “playground” while telling the stories conveyed through each song in our own musical language has been a real joy. At times, we took a more poppy “singer songwritery“ approach, at other times throwing in some groovy middle-eastern elements or a meditative ”prayer like“ moments. Yet above all, of swing, playfulness and joie de vivre.

The cover of “A Gershwin Playground” was also heavily inspired by the lyrics as we created the playground from objects representing lyrics of different songs (“cotton”, “fish”, “hat”, “tea”, “tomato”, “lamb” and more). Along with those we’ve also incorporated classic game elements as well as objects that signify Gershwin, the trio’s history, past travels and my own personal history (in example the wooden horse I have since 3 years old). 


Making a Gershwin album in 2020 as an Israeli musician who spent seven years in New York dedicating my life to the Black American art form called Jazz. In 1935, Gershwin refused to premiere Porgy & Bess at the Metropolitan Opera because the Met would not allow Black performers at the time. That decision by the composer ensured that the opera would only be presented with Black vocalists until this day. To me, this is a form of allyship and advocacy I very much stand behind.

The performance of Rhapsody in Blue is dedicated to the memory of the “Jewish Ex-Concentration Camp Orchestra” at the Displaced Persons Camps of Landsberg and Feldafing. My relationship with the piece is special to me as I have performed it for the first time with Bayerische Philharmonie at a concert commemorating 70 years Leonard Bernstein’s concert with the ”Displaced Person’s Orchestra. Since then, the piece, has become part of my musical DNA as I’ve got to perform it dozens of times in different formations including a solo performance at the salon of Jamie & Nina Bernstein, the daughters of the Maestro Bernstein.“

ืกื•ืœื ื™ื•ืช ื”ืื•ืคืจื” & ื’ื™ื ืžื™ื ื˜ื•ืก ื˜ืจื™ื• - La Donna รจ Mobile

ืกื•ืœื ื™ื•ืช ื”ืื•ืคืจื” & ื’ื™ื ืžื™ื ื˜ื•ืก ื˜ืจื™ื• - La Donna รจ Mobile

ืื ื—ื ื• ืžืื•ื”ื‘ื™ื ื›ื‘ืจ ื”ืจื‘ื” ื–ืžืŸ ื‘ื’ื™ื ืžื™ื ื˜ื•ืก, ื”ืคืกื ืชืจืŸ ื•ื”ื™ื•ืฆืจ ื”ืžื‘ืจื™ืง. ืื– ื›ืฉื”ืฆืขื ื• ืœื• ื•ืœืืจื‘ืข ื”ืกื•ืœื ื™ื•ืช ื”ืžื”ืžืžื•ืช ืฉืœื ื• ืœืฉืชืฃ ืคืขื•ืœื”, ื”ื™ื” ืœื”ื ืจืง ืชื ืื™ ืื—ื“ - ืœืขืฉื•ืช ื’ืจืกืช ื’ืณืื– ืœืืจื™ื” ื”ื›ื™ ืฉื•ื‘ื™ื ื™ืกื˜ื™ืช ืฉื™ืฉ. ืžืชื•ืš "ืจื™ื’ื•ืœื˜ื•" ืžืืช ื’'ื•ื–ืคื” ื•ืจื“ื™ | La Donna รจ Mobile ืกื•ืœื ื™ื•ืช ื”ืื•ืคืจื”: ื˜ืœ ื’ื ื•ืจ, ื’ื•ื ื™ ื›ื ืขื ื™, ื“ื ื™ืืœื” ืกืงื•ืจืงื” ื•ืขื ืช ืฆ'ืจื ื™. ื’ื™ื ืžื™ื ื˜ื•ืก ื˜ืจื™ื•: ืžื ื”ืœ ืžื•ืกื™ืงืœื™ ื•ืคืกื ืชืจืŸ: ื’ื™ื ืžื™ื ื˜ื•ืก, ืงื•ื ื˜ืจื‘ืก: ืืœื•ืŸ ื ื™ืจ, ืชื•ืคื™ื: ื™ื•ื ืชืŸ ืจื•ื–ืŸ. ื‘ื™ืžื•ื™: ื™ื•ืกื™ ื™ืจื•ื ื•ืฉื™ืจื™ืช ืœื™ ื•ื™ื™ืก ืฆื™ืœื•ื: ื’'ื•ื ื™ ืงืจื ื™ ื”ืงืœื˜ืช ืงื•ืœ: ื™ื•ื‘ืœ ื•ืฉื—ืจ ื–ื™ืœื‘ืจืฉื˜ื™ื™ืŸ
Guy Mintus - Elifelet / Sacha Argov

Guy Mintus - Elifelet / Sacha Argov Israeli pianist and composer Guy Mintus, with a rendition of the song Elifelet by Alexander "Sacha" Argov (1914-1995). Performed live at Manhattan School of Music, April 2014. This performance is dedicated to the memory of Shmuel Mintus. Program Notes: Elifelet is a memorial song written and composed during the 1960s in Israel. Alongside its exuberant and multicultural middle eastern spirit, the young country of Israel carries a burden of bereavement and loss. Throughout its 65-year-long existence, Israel had to fight for survival many times. Thus, memorial ceremonies and songs for fallen soldiers take a substantial part in the Israeli culture. Despite its musical and textual complexity, the song Elifelet is a key song in the Israeli memorial songbook. It's been sung in memorial ceremonies all over the country every year. Elifelet is a somewhat unusual memorial song. In it, Elifelet, whose name is taken from the Bible (one of King David's heroes), is not portrayed as the classic heroic soldier figure we would expect, but as a funny, odd and almost autistic figure who laughs and smiles without reason. At the moment of truth, Elifelet bravely crawls in front of the live fire to save his friends, losing his own life. The song leaves a lot of question unresolved regarding the heroic figure, memorialization, the value of sacrificing your life in war and of treatment of society's dead soldier. A key moment in the song is the sudden and brief change from E minor to E major accompanying the description of sounds of flutes and strings surrounding Elifelet's character. This special moment leaves a strong effect of exaltation and almost recreates Elifelet's dead spirit.


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“ Mintus, ... pours together a mixed brew of influences — Arabic maqam, Jewish folk song, Eastern European dance rhythms and, especially, classic hard bop — with such ebullient grace that you’d think they all originated in the very same place.”
-The New York Times

“An artist of prodigious talent and boundless ambition”

-DownBeat Magazine

“A trained concert pianist, with the energy of a rock-star, and a jazz musician’s sense of adventure, his performances are boundary–crossing and unique.”

-Janet Horvath, Interlude

“What a pleasure to have the trio with us. I first encountered Guy when he served as pianist for Mira Awad. He impressed me then as a young pianist with great chops but also an artist with something new to say. I then saw and heard him at a solo house concert, with orchestra and on his many cd’s.He is amongst the most exciting jazz talents on the scene. I highly recommend him to any presenter whether at a club, a PAC or with an orchestra. The revelation for me on his most recent visit to Koerner Hall with trio was the interplay with and quality of the two sidemen. They were not back up players to a star pianist. The three of them had a fully formed idea of each song and played with nuance, virtuosity and imagination. A joy from start to finish. Presenters should jump at the chance to bring Guy quickly!” 

-Mervon Mehta, Executive and Artistic Director Koerner Hall The Royal Conservatory of Music

“A brilliant musician, composer, and arranger who melds a multicultural vision with the passion and fury of jazz greats.”

-Toledo Blade

“Mintus unfurled blues-infused jazz and Middle Eastern lines with consummate and natural ease.”

-Jerusalem Post

“Talented young musical emissary who expertly blend the folkloric sound of his homeland with the improvising aesthetic of jazz.” 

-Ottowa Citizen

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